lw_01_90-1-of-1.jpg
lw_02_CL-11-1-of-1.jpg
lw_03_CL10-1-of-1.jpg
lw_04_68-1-of-1.jpg
lw_05_CW-1-1-of-1.jpg
lw_06_CL9-1-of-1.jpg
lw_07_66-1-of-1.jpg
lw_08_75-1-of-1.jpg
lw_09_CL-10-1-of-1.jpg
lw_10_CL14-1-of-1.jpg
lw_11_AB-1-of-1.jpg
lw_12_CW8-1-of-1.jpg
lw_13_CW9-1-of-1.jpg
lw_14_CW-2-1-of-1.jpg
lw_15_cw11-1-of-1.jpg
lw_16_CW7-1-of-1.jpg
lw_17_4-1-of-1-1.jpg
lw_18_CL12-1-of-1.jpg
lw_19_77-1-of-1.jpg
lw_20_7-1-of-1-1.jpg
lw_21_CL4-1-of-1.jpg
lw_22_CW-1-1-of-1-1.jpg
lw_23_49-1-of-1.jpg

The Edge of Vision: CameraWork

I started to lose my sight about 30 years ago. A gauzy scrim was dropped over my eyes during the course of several years, dulling and flattening the world. Colors were particularly washed out, like hothouse flowers left too long in the Sun. In 2012, my vision was restored in my left eye, a miracle of medicine. As if I had been reborn, those flowers once again looked freshly cut, the reds and pinks and yellows as crisp and vivid and sharp as the first day of summer vacation. The Edge of Vision is a map of that journey, of the colors that emerge when one crosses from one side of sight to the other, from the dark into the light. This portfolio explores the potential of CameraWork in the practice of photography by investigating the nature of multiple and time exposures, movement, and the transposition of light – the very act of perception – itself.